NEW FASHION STORY

BY: KAVALERO

#specialbooking #chriselson PHOTO: MARCIN KEMPSKI | STYLE: MAJA NASKRETSKA | MUA: IZA KUCMIEROWSKA

CAPTURE BY: Daniel Jaroszek @danieljaroszek | MUA: Wilson @wilsonwillofficial | HAIR: Przemek Grejcz @hairdresserprzemyslawgrejcz | STYLE: Michal Kus @michaskus | robertkupisz.com

CRUISE COLLECTION 2019

Mo: Tommy Marr | St: Ken Thompson | Ph: Ted O’Donnell

Ready-To-Wear Collection

Photographer: Wojciech Jachyra – @wojciechjachyra_photography | Makeup Artist/Hair Stylist: Dorota Piełudź – @pieludz.dorota | Fashion Designer: MALE-ME – @malemepl | Wardrobe Stylist: Lidia Kasprzak | Retoucher: Nastia Burak- @nastia_gdeto

PHOTO: ZUZA KRAJEWSKA

FOT BY KRZYSZTOF WYZYNSKI.

Versace unveils its fall-winter 2018 campaign with an astonishing cast of fifty-four models. Celebrating the core values of strength, newness, courage, loyalty, and irony, the Clans of Versace are front and center. Steven Meisel photographs the advertisement, which is comprised of one long image. It's actually the longest advertising image ever. Related: Versace Delivers Print Heavy Fall '18 Collection Donatella Versace discusses the new campaign. My team doesn't just extend to my work team. The designer continues, The Versace Clans are made of all members of the Versace family–from customers to models, fans, photographers, stylists, friends, artists and all who believe that staying relevant means moving forward and making your voice heard–all who believe that fashion is not a way to just say 'look at me' but rather 'look at me, I have something to say.'

“We’re looking at New York with Italian eyes,” said Dolce & Gabbana’s Domenico Dolce at a preview of the company’s Spring 2018 Alta Sartoria collection early Saturday morning. What would follow about 12 hours later at Rockefeller Center (where, just a few floors away, Cardi B was getting ready to perform on Saturday Night Live—and finally confirm her pregnancy), was the middle wedge of Dolce & Gabbana’s takeover of Gotham this weekend; on Friday, the house unveiled its latest highest-end jewelry at the New York Public Library, and on Sunday evening, it reveals Alta Moda, its uppermost womenswear component. Of Sartoria, the duo said it was not difficult to show this far away from their Milanese headquarters—they compared getting everything and everyone here to getting the whole operation to Naples (the Italian, not Floridian, city). When you have their reach, dollars, and fandom, that claim makes obtuse sense. Dolce, and brand partner Stefano Gabbana, count excellent marketing skills among their many talents, and their Alta Sartoria presentation (clocking in at 103 looks, all walked out to the crooning of the legendary Liza Minnelli) was primarily crafted to woo VIP clients—the international ultra-spenders who alighted at Rockefeller Center’s gloriously worn-in Rainbow Room decked to the nines in their Dolce sequins and their Gabbana florals. The couturiers know that the added spectacle of an intimate salon is the hook-line-and-sinker icing on the moneymaking cake.

Today, on the denouement of Milan Fashion Week Men’s and in his second effort as lead, he staged a tranquil outdoor Spring show in the annex of the Museo Diocesano on Corso di Porta Ticinese. A choir, seated centered on a gold-foil platform, enriched the recorded soundtrack. The models walked languidly. The sun shone and the Milanese swallows skittered overhead.

Frankie Morello Spring/Summer 2019 Milan presents Technology Devotion are you ready for the journey? Ready to the next journey in evolution? asks Frankie Morello for the third day at Camera Moda in Milan. Get into a space odyssey, Morello wanted to take you into this technology journey. Teatro Vetra Milano witnessed a new evolution collection presented by the designer. With space references, astronauts going to the moon, dark blues shades for Italian costumers.