ALEX CUNHA for TOM FORD / campaign FW19.20
Fashion photographer Steven Klein captured Tom Ford‘s Fall Winter 2019.20 advertising campaign featuring Mariacarla Boscono, Anok Yai, Alexandre Cunha. In charge of styling was Carine Roitfeld, with beauty from hair stylist Garren, and makeup artist Diane Kendal.
BLAZEJ KUTYLA for new issue L'Officiel LU
THIS DYNASTY FASHION EDITORIAL S/S 2019 | PHOTOGRAPHY HEIDI RONDAK www.heidirondak.com @heidirondak -- | STYLING HERCULES TERRES www.herculesterres.com @hercules_terres | GROOMING NORBERT CHEMINEL using MAC Cosmetics & Aveda www.norbertcheminel.com @norbertcheminel
HUBERT & SEBASTIAN for EXCLUSIVE MMSCENE
Fashion photographer Bogdan Jabłoński at Das Agency captured White is White exclusive story featuring Mikołaj S and Hubert S, both with Panda Models, for the latest MMSCENE PORTRAITS. In charge of styling was Marcin Brylski, with beauty from hair stylist Sebastian Kobielski, and makeup artist Katarzyna Brzezińska. Retouching by Mateusz Niechoda. MMSCENE EXCLUSIVES For the session models are wearing selected pieces from Balmain, Versace, Hider Ackerman, Givenchy, Raf Simons, Balenciaga, Burberry, Moncler, Carolina Herrera, Boss, Palm Angels, COS, Diesel, Kenzo, Nike, Martens, Yes, Reserved, Mariusz Przybylski, and Robert Kupisz.
DAVID TRULIK opening show / VERSACE SS20 Milan
These are more sober times – call it the Hadid age – at the House of Versace, and while there may be less simulated sex on the runway, the upside is that there are arguably more really good clothes. The centerpiece of tonight’s Via Gesu show was a blackened sportscar heaped with flowers made by ongoing Versace collaborator Andy Dixon – it was a little hearse meets roadside shrine, and unsettling. This was a nod to the sportscar prints, knits, and Lurex- and stud-defined shirting and pants that featured at the back end of the collection. Versace went so big on cars because, she said, “when a man becomes a man the first thing he wants is a car.” This also seemed a quiet aside to the memory of when her brother Gianni, then aged 19, convinced Donatella, then aged 11, to dye her hair blonde for the first time (which it has forever remained) before sneaking off to a Patty Pravo concert in a car stolen from their parents – which broke down and was lost forever en route. This potential for willfully wild acts amidst boys just stepping into their manhood was reflected in the oversized suiting and fringed biker jackets – sometimes worn over suiting – that featured at the start of the show. The volumized silhouette ran through to a series of lip-smackingly tart acid tone Versace print jackets and silk shorts towards the end of it. Another lavishly classical Versace touch was the amphora prints and Lurex knits. Printed vintage Versace fragrance ads on T-shirts and denim were yet another archival flourish. There was a fun, provocative sensuality in the slightly kicky jersey pants worn below tailoring which came in black or leopard print and floral versions in vertical rib-knit, and a carefully thought through – and Flint-inflected – riff on post-punk in workwear pieces that smashed check against denim. The complementary women’s looks – mostly legs-to-there Versace standard mind-melters – added extra turbo boost to this high energy Versace outing.